Tuesday, June 29, 2010






















Last Night I Heard Africa Drumming

In an ordinary community hall
In the south-central section of the city
On one of the longest days of the year
They gathered.


Many of them from here:
Aboriginal, Métis, French and English Canadians,
And many of them from the Dark Continent:
Ghanaian, Angolan, Somali, Zimbabuen

We were raising money for a drought and poverty-stricken
Hospital in Western Ghana, and doing it in style


To say the hall was filled to overflowing
Would not be an exaggeration—but the real
Fulfillment came from the sound ...

As a little-travelled Canadian white woman

My understanding of African drumming
Was pretty much limited to what I saw on TV


And in movies from Hollywood; even specials
On National Geographic did not do justice
To the splendour of real drumming
The likes of which we heard last night


First, one drummer would start and he alone
Would be powerful and loud and rhythmic
In ways that are hard to define,


but


Then another would do a counter-beat
And another would join in and layer his
Distinctive drum either on top or in step


Until sometimes as many as ten drummers
Were making this remarkable sound
All of them different and all the same
Transporting many of us to Africa or to dance


Or both


It was not hard to imagine being in the jungle
In the dark around a fire, hearing the beat
Of these drums playing long into the night,
Or maybe for several days or nights


So mesmerizing is the intensity of music
That is just drumming—and I do not mean
To diminish it in the least by saying ‘just’


In fact, just the opposite –that drums alone
Make such compelling music enthrals me
Thrills me, makes me want to move
As I noticed it did almost everyone
In attendance at this function


Yes, last night I heard Africa drumming
And began to understand her mystery
Just a little bit better and why
We need to keep trying with her;


Mama Africa, we hear you, we do


I found myself promising to try
Harder to help her and I will.













Sunday, June 27, 2010

Amolite, Amolite

 
It is the official provincial gemstone
And also only one of only three stones
In the last fifty years to have been
Declared a new “gem” in the entire world.

It was formed over seventy million years ago
And is only found here, in the southern part
Of the province and there is a limited supplied
Or so the story goes – there is some dispute
About the veracity of both the exclusivity
And the location of the stone

However, owning some of this iridescent magic is addictive;
One piece is never enough—at least that has been my experience
And I am not big on jewellery; but this, this is something different


It comes in hundreds of shades and permutations, and they all
Mean different things according to the tribes that live in the area
Surrounding the small region where they are found


Perhaps that is part of the attraction, at least for me—
The legends that accompany this incredibly interesting
And beautiful stone;

I find myself wearing my greener
Necklace on days I need healing
The purple striated earrings when
I think a bit of energy is called for
And the fiery orange-red pendant
Makes me feel oh-so-sexy when I put it on

Yes amolite, the jewel made from ammonite
The rough stone mined from shale —a treasure
And Alberta’s provincial stone
My favourite jewellery by far


























Doily Brains have Clouded Memories


She joked often about the holes in her head
Saying treatments to keep her sane kept
Her from remembering much about her past
As well – she said she didn’t mind not being
Able to recall her kids’ childhoods, their birthdays,
The way they looked on the first day of school
Or as they crossed the stage to get their grad
Diplomas – but sometimes she’d get a flash
And a memory would float to the surface;
She would grab at it trying to clutch it but
Memories are ephemeral, slippery as
Tears shed, and sheer as clouds – and holding
Onto them is no easy thing as well she’s learned
And learned again, and again – for who remembers?

To Tell the Truth
If truth be told, I must say
There have been times
I’ve let things slide and yes
Let you think that all be well


If truth be told, there are days
I wish you would just
Zip your lip and keep silent
Or at least keep your opinions

To yourself and let me pretend
That you agree with most
Everything that I expound
And don’t feel the need

To play devil’s advocate
During every discussion we
Ever have—because you do
You know—and when I say why

You always say you don’t at all
Or that, if you do, it’s for the fun
To keep things lively for us
Both—but I say—no, don’t


If truth be told, it wearies me
More often than enlivens so
Be a dear, quiet now, listen, hear
Let’s not fight, and just say we did







Remembering a life lived for the arts

Visit this link to find out about For Gilbert, a tribute display on at The Works right now! A poem I wrote,
"Where Are You Now?" was selected to be part of the display - I am, needless to say, thrilled.

Wednesday, June 23, 2010

no more the bird with the piercing voice

The Meaning of a Sappho Fragment
“no more than the bird with the piercing voice”

 

night is rendered mute
blanketed in storms
of soot, smoke, blood stains

the youngest are always
led away first in no
particular order, maybe
by height; eyes eloquent

shrieks strafe the air
in the beginning but
shortly it is silence
that makes the eardrums
throb and bleed

Tuesday, June 22, 2010

LOSER

And as easy as saying,
“Pass the salt,”
She says to my son-in-law
About my brother, long
Estranged, “I guess you
Could say he’s a real loser.”

Years fall away
And I picture that little boy
He is curled up on the steps
Head on knees, sobbing

Somebody else beat him up
At recess, called him stupid
Stole his good shoes—again

He is not yet ten years old
But he wants to die, he says
Nobody loves him, he sobs

I do, I tell him, I do

When did I stop telling him,
I wonder—

When did he decide for good
And all, he was a loser

When did I let him go ...
I shudder as I speculate
About how likely it is
those events
are all connected ...